diff --git a/2Fast2Furious.js b/2Fast2Furious.js new file mode 100644 index 0000000..d926bd9 --- /dev/null +++ b/2Fast2Furious.js @@ -0,0 +1,2926 @@ +async function enviarScript(scriptText){ + const lines = scriptText.split(/[\n\t]+/).map(line => line.trim()).filter(line => line); + main = document.querySelector("#main"), + textarea = main.querySelector(`div[contenteditable="true"]`) + + if(!textarea) throw new Error("Não há uma conversa aberta") + + for(const line of lines){ + console.log(line) + + textarea.focus(); + document.execCommand('insertText', false, line); + textarea.dispatchEvent(new Event('change', {bubbles: true})); + + setTimeout(() => { + (main.querySelector(`[data-testid="send"]`) || main.querySelector(`[data-icon="wds-ic-send-filled"]`)).click(); + }, 100); + + if(lines.indexOf(line) !== lines.length - 1) await new Promise(resolve => setTimeout(resolve, 250)); + } + + return lines.length; +} + +enviarScript(` +2 FAST 2 FURIOUS + +(HIP-HOP MUSIC PLAYING) + +(MECHANICAL WHIRRING) + +(HYDRAULIC WHOOSHING) + +(INDISTINCT CHATTERING) + +(MAN YELLING) + +(WOMAN WHOOPING) + +(CELL PHONE RINGS) + +Yo, Jimmy, man. Give me the status. +Tell me we good. + +- You got it, man. +- Beautiful. + +It's gonna be an all-timer tonight. + +(CAR ENGINE REVVING) + + + +All right, all right, all right, fire them up! + +We go live in five! + +It's time for ignition +and straight automobile pimping. + +- Girl! +- Sorry! My bad! + +All right, ladies! We're good. + +We're good. + +JULIUS: That's it, babies. + +(JULIUS SPEAKING SPANISH) + +Come on, Tej! Let's get this race going! + +Whoa, whoa, man. Wait a second, man. + +You cats are first wave, man. +Where's your fourth at? + +It was Joaquin, man, +but he had to work the graveyard shift. + +TEJ: What? Graveyard shift, man. + +- Why don't you run with us, Tej? +- Hell, no, I'm not running with y'all, man. + + + +And I tell you what, either you find a fourth +or you don't race. How about that? + +We should find two, so we don't have +to roll with skirt here. + +(SPEAKING SPANISH) + +(SUKI AND JULIUS ARGUING IN SPANISH) + +Whoa, wait a second, wait a second. + +Why don't I just find y'all a fourth +and we settle this on the streets? + +- Bring him on. +- Anybody I want? + +(SPEAKING SPANISH) + +- No matter who it is? +- Yeah. + +BRIAN: Yeah + +Yeah, man. You want to race tonight? + +- Yeah, you know I could use the money. +- You got four minutes, man. + +All right. I'll be there. + +(ROCK MUSIC BLARING) + +(RAP MUSIC BLARING) + +TEJ: The race starts in four minutes. + +All right, girls, let's do this. + +(GIRLS SPEAKING JAPANESE) + +(RAP THEME SONG PLAYING) + +- You think you're gonna win, baby? +- What do you think? + +- You better. We got rent to pay. +- I know this. + +(SPEAKING SPANISH) + +I'll get you when you get a car worth racing. + +There's our fourth right there. + +Shit. It's Brian. + +(ENGINE REVVING) + +(CROWD CLAMORING) + +- What's up, Tej? +- What's happening, dude? + +- Thanks for the invite. +- No problem at all, man. + +Just remember me when you wax, all right? + +They got deep pockets? + +Real deep. + +- What's up, Suki? +- What's up, Bullitt? + +What do you say we kick it a nickel? + +(SPEAKING SPANISH) + +Nobody said nothing +about raising the stakes. + +If that's the case, +why don't you ask these nice people here + +to back off the line so you can go home. + +(CROWD BOOING) + +Okay. $3,500. + +(SPEAKING SPANISH) + +(CURSING IN SPANISH) + +$3,500? + +Either that or you can go home, bruh. + +- It's all there. +- Better be. + +Damn, Suki, when are you +going to pop my clutch? + +As soon as you get the right set of tools. + +Yeah, all right. All right. + +(CROWD CHEERING) + +(ENGINES REVVING) + +All right, back up, back up. +Let's go, let's go. + +Yeah, yeah. Back y'all asses up! + +Back up. Back up before +you turn into barbecue around here. + +It's not a game. This is serious. + +All right, back up, back up. +Get off the street. Off the street. Let's go. + +Back it up, back it up. Everybody +keep your heads real, real clear, all right? + +'Cause I got a surprise for y'all this evening. + +(ENGINE REVVING) + +Go, Slap Jack! Go, baby! + +I got this. I got this. + +(SPEAKING SPANISH) + +(ENGINE REVVING) + +Ready? + +Go! + +(TIRES SCREECHING) + +(CROWD SCREAMING) + +Oh, hell, no! + +(TIRES SCREECHING) + +You ain't passing me, dawg, +you ain't passing me. Come on. + +What you got, man? + +I told you, you weren't gonna pass me! + +Move, bitch! + +(TIRES SCREECHING) + +(GRUNTING) + +(YELLING IN SPANISH) + +(SPEAKING SPANISH) + +Not tonight, baby! + +Bend over, boy. + +Damn, girl! + +Last turn, last turn. + +Too wide. + +Home stretch, baby. + +(NITROUS OXIDE HISSES) + +(EXCLAIMING) + +Got to go, dawg! + +(YELLING IN SPANISH) + +Yes! + +(YELLING IN SPANISH) + +I can smell you! + +Yo, Jimmy, hit it, baby. Hit it. + +All right. Y'all see that? + +I told y'all I had a surprise. + +How you like that for a finale? + +Bridge. + +(NITROUS OXIDE HISSING) + +(NITROUS OXIDE HISSES) + +(EXCLAIMS) + +(WHOOPING) + +Shit! + +(HISSES) + +Oh, hell, no! + +(TIRES SCREECHING) + +Smack that ass! + +(TIRES SCREECHING) + +(GROANING) + +Yes! + +Tell me I saw that, man. +Bullitt and Suki sprayed the bridge. + +I need to start making +y'all pay to even see this shit. + +I got over $10,000 +for my man right here, all right? + +That's what I'm talking about, man. +Play with it. + +- Smells good, don't it? +- Yeah, how about that, right there? + +Right, right, right. Y'all see this? +Everybody take a real good look. + +This is what you call mutual respect. +All right, let's clear out. + +Anybody down for another race? + +Shit. + +Hey, make sure you bring that body +by the garage later + +so we can work on that front end of yours. + +Watch out. + +Maybe I will. + +Where are you going? + +- It's time to get out of here. +- Why is that? + +(POLICE SIREN WAILING) + +(PEOPLE CLAMORING) + +Nissan Skyline! Got him! + +Shit! Shit! Shit! + +Shit. + +(ELECTRICAL BUZZING) + +(GLASS SHATTERING) + +Damn! + +Let me see your hands! Put them up! + +OFFICER: Yeah, this is him. We got him. + +So, how long you been in South Florida? + +- A while. +- Before that? + +We know you're Brian O'Conner, +formerly of the LAPD. + +- Man, You got the wrong guy. +- Really? + +(KNOCK AT DOOR) + +How you doing, O'Conner? + +Let's take a walk. + +MARKHAM: Carter Verone. + +Born in Argentina, +but he's lived most of his life in Miami. + +Now he owns the biggest +import-export business in the state. + +You see, unfortunately, the cartels have +been successful getting drugs into Miami. + +But they've had a hard time +getting the cash out. + +We've been surveilling him for a year. + +But we've never been able to put him +and the money together. + +- We've swept his house, his warehouses... +- Nothing. + +Customs here has done a great job +of getting us this far. + +I'm just here to help get them over the top. + +I was able to get an agent in undercover, + +working travel and logistics for him. + +Recently Verone put her in charge +of finding some new drivers. + +Right, although we can't confirm +her status right now. + +- You think she's flipped? +- She's one of mine. She's all right. + +She's been in with Verone nearly a year. +Even lives at the compound with him now. + +Look, it was the FBI's idea +to bring you in here. I'm against it. + +But we need some good drivers that can +put this asshole and his money together. + +You're gonna roll with Agent Dunn here. + +And if I don't? + +Here's a list of the laws you broke in L.A. + +Obstruction of justice, aiding and abetting. +You know the rap sheet. + +We can make this all go away +in the interest of justice + +if you're willing to play ball. + +So what's the idea here? Dunn and I +are supposed to be street racers? + +That's right. + +(SLURPING) + +So, Dunn, + +looks like we're going to be partners, bro. + +Could you tell me, +what would be a better motor + +for my Skyline, a Gallo 12 or a Gallo 24? + +(CLEARING THROAT) + +Twenty four. + +I didn't know pizza places made motors. + +See, man, come on, I can't do this. + +I mean, seriously, +if this is what you're gonna give me, + +I may as well take my chances in Chino. + +BILKINS: We'll get someone else. + +BRIAN: No way, man. + +The only way I'll do this is +if I get to pick the driver. + +(BILKINS SIGHING) + +All right, O'Conner. Who you got in mind? + +- This dude I grew up with in Barstow. +- Who's that? + +Roman Pearce. + +(ENGINE REVVING) + +(EXCLAIMING) + +- That your boy in the Monte Carlo? +- BRIAN: Yeah, that's him. + +Yeah, he's got some skills. + +And he's crazy as hell, I'm telling you. + +In a good way, though. +He's the man for the job. + +And he's got quite a record, +including three years upstate. + +Says here, he's on house arrest now. + +Can't go more than +100 yards from his home. + +(ANNOUNCER CHEERING ON PA) + +(ANNOUNCER WHOOPING) + +(MUMBLING) + +He always said he'd be famous. + +BRIAN: Pearce! + +Roman Pearce! + +Yo, whatever happens next, just let it go. + +I ain't in it. + +(WHISTLES) + +Rome! + +Only my homeboys call me Rome, + +Pig. + +- I'm not a cop anymore, bro. +- Is that true? + +Blondie here is not a cop anymore? + +That's true. No badge. + +BILKINS: Here we go. + +(BRIAN AND ROME GRUNTING) + +You still fight like shit. +You still fight like shit. + +You better chill. + +- What the hell are you doing here? +- I'm gonna choke you. + +I told you to stay away from me. + +(BRIAN AND ROME GRUNTING) + +You should have told me. +I did three years, Brian. + +I told you it wasn't my fault. + +Why did you come here, O'Conner? + +I got a deal for you. + +When I needed your ass, +you were nowhere to be found. + +Now you're trying to hand out deals? + +I need you to come to Miami +and drive with me. + +If you do, they'll take off that anklet +and they'll clear your entire record. + +I did three years in jail. + +Three years in jail over you, Brian. + +- I know you better than you think. +- Maybe you don't. + +Maybe you don't. + +You guys finished? + +This deal legit? + +That's right. If you do this job for us. + +- I told you. +- Shut up, punk. + +So you're gonna clean my record +and get this thing off my ankle. + +That's right. + +I thought you couldn't wander +more than 100 yards from your home. + +Why do you think +I'm parked so close to the derby? + +Man, quit playing +like you're gonna pass this up. + +You stupid... + +Wait. Hold on. + +Bro, what's going on? + +I don't know if +I should be trusting you, man. + +Just think of it this way. +It's an opportunity for a fresh start. + +Now, let's just go do this, all right? + +I wouldn't need a fresh start +if it wasn't for you. + +Man, you've been using that +since the day you got busted. + +- Now, let's just chill out and go do this. +- I don't need to chill out. + +Yes, you do. And you need to stop +blaming me for your every mistake. + +And Roman Pearce needs to start taking +responsibility for his own actions. + +- You need to go to hell. +- And you need to go back to Barstow. + +I'm not going back to Barstow. + +Brian O'Conner, Roman Pearce, +meet Monica Fuentes. + +- Do they have background on Verone? +- They've been briefed. + +MONICA: Good. All right, here's the deal. + +Verone's looking for drivers. +I've arranged for both of you to join up. + +I've also hired some thugs, +you know, to make it legit. + +- When do we start? +- Right now. + +What are we driving? + +(ROME WHOOPING) + +ROME: Don't even think about +taking the convertible. + +It might loosen your mousse. + +BRIAN: That's cool. +That's too much chrome for me anyways. + +ROME: Damn! Where do you all +confiscate these rims from, man? + +Check in with us after you meet him. + +You think you're gonna have any problems +with these two knuckleheads? + +I can handle them. + +If they give you any trouble at all, +you let me know. + +Thanks, Markham. + +I ride with you, cowboy. + +- ROME: Why she gotta ride with you? +- You get the convertible. Let's go. + +Turn right here. + +- So, you used to be a cop? +- Yeah. + +How long you been under? + +I lost track. + +You all right? + +You might want to keep +your eyes on the road, playboy. + +- What, you think we're gonna crash? +- I haven't decided yet. + +(ENGINE REVVING) + +What are you doing, Brian? + +(TIRES SCREECHING) + +He did the "stare and drive" on you, +didn't he? He got that from me. + +MONICA: Once we get in here, +you're on your own. + +Look at that one. + +Where'd you get them cars? +At the bottom of a cereal box? + +Real funny, Fonzie. + +Ass. + +Roberto, Enrique, +I need pictures of the drivers, + +their license plates, their cars, +and anything else you can find. + +(SPEAKING SPANISH) + +(WHISTLES) + +Let's go. + +Keep your mouth shut +and follow my lead, all right? + +- I got this. +- No, I'm serious now. + +Handle your business. I'll handle mine. + +(SPEAKING SPANISH) + +Watch your hands, bruh. + +ENRIQUE: Go in line. + +Let's go. + +Carter. + +- The drivers are here. +- Good. + +Come on. + +Stay. + +(SPEAKING SPANISH) + +What's going on here, bro? Tell me. + +VERONE: Thank you for coming +on such short notice. + +My red Ferrari was confiscated yesterday + +and it sits in an impound lot in Little Haiti. + +It's about 20 miles from here. + +The car isn't important. What is important +is the package I left in the glove box. + +The first team back here with the package + +will have an opportunity to work for me. + +What are you saying? We got to audition? + +Nobody's got a gun to your head. + +That's it. + +Driver's licenses. Pass them up. + +Before Christmas, guys. + +(SPEAKING SPANISH) + +MAN: Let's go! + +Come on, cuz! + +All right, let's see what this thing can do. + +(HORN BLARING) + +Agent Markham. +I've got them heading south on I-95. + +Yeah, I got it. + +They're running. What a surprise. + +Come on, stick with me, Rome. +What you got? + +Why must I chase the cat? + +Smart-ass. + +Oh, yeah, you think you're the bomb, Rome? + +(TIRES SCREECHING) + +(MAN SCREAMING) + +(TIRES SCREECHING) + +(EXCLAIMING) + +Let's see if you still got it, Brian. + +All right, Rome, +I got something for your ass. + +Watch this, bro. + +Shit. + +Damn, Rome, how do you like them apples? + +Show-off! + +That's the Brian O'Conner +school of driving right there, baby! + +Crazy-ass white boy! + +Shit! + +(TIRES SCREECHING) + +(REGGAE MUSIC PLAYING) + +MAN: Bumbaclot. + +WOMAN: You better get yourself +out of the street! + +That's some bad shit, man. + +What do we got? + +That's good. Show me his partner. + +Cars, cars. Where are the cars? + +Stinking boats. Where are the cars? + +Come on, I need the cars. +Where are the cars at? + +- Look in the center. Look in the center. +- What? + +Cha-ching! + +- Now put your blouse back on. +- Hater. + +(CARS APPROACHING) + +ROME: Shit! + +- Don't let him get away. +- Not a problem. + +Sit on it, Fonzie! + +(POLICE SIREN WAILS) + +What the hell? + +Shit. Cops. + +ROME: What the hell are they doing here? + +BRIAN: Rome, no! + +Time to go. + +Son of a bitch! + +MONICA: Juvy record for popping cars. +Two years in J.D. + +Then another year for aiding and abetting +an armed robbery. + +He's clean. Dirty, but clean. + +All right. + +Hey, man. You got something +to eat up in there? + +We hungry. + +Sit them by the pool. + +Nice. Come on. + +- What are you checking her out for? +- I'm not checking her out. + +- Yes, you were. +- No, I wasn't. + +- I seen you checking her out, man. +- Okay, I was. Now shut up. + +You shut up. Don't tell me to shut up. + +Both you girlies shut up. Unbelievable. + +You sure are cozy in this big old mansion. + +Sleeping with the enemy. + +No, no, no, no. Sit down. + +Nice Ferrari you got in the driveway. + +I'm glad you like it. + +Darling, will you hold that? + +We did all that for a damn cigar? + +No. You did that for a job. + +Do you really think that +I would let somebody impound my car? + +The boatyard is mine. + +By the way, you two owe me a gate. + +I'll just take it off your cut. + +(SCOFFS) + +- Off our cut? +- Yeah. + +- I like that. +- Good. + +What's this job you got for us, anyway? + +Come with me. + +The house has ears in it. + +I have something I want you to carry +from North Beach to the Keys. + +What is it? + +Just put in the car what I tell you to +and drive it to me + +and don't let anybody stop you. +Understand? + +Yeah. Any chance of cop trouble? + +No, I'm buying you a window of time, +but it's not gonna be open very long. + +You make it, + +and I'll personally hand you +$100,000 at the finish line. + +Make it $100,000 a piece, papi. + +Look, man, + +obviously + +your pockets ain't nervous. + +- Don't ever touch me. +- Ours are empty. + +Like I said, + +we hungry. + +I got an idea. Why don't you two boys +join us at the club a little later tonight? + +Yeah. Pearl at midnight? + +- Get to know each other a little bit better. +- That sounds good. + +- We'll see you tonight. +- See you. + +Hey, you! + +- Your pockets aren't empty. +- Damn. + +I'll take my cutter back. + +BRIAN: Stupid ass. + +Hey, man, I figured you +had like 12 or 13 of these + +You're not too bright, are you? +Just get out of here. Get out of here. + +Same old Rome +doing the same old stupid shit. + +Get off me, man. + +Look, running your mouth? +Insulting people? Stealing Verone's shit? + +You think I'm gonna let somebody +stare me down? + +I didn't let nobody +stare me down in jail, homeboy. + +You think I'm gonna let it fly on a beach? + +"And you, I'll take my cutter back." + +His rich ass. + +- And you're packing. +- Like you ain't. + +Exactly. + +- From here on out, I do the talking. +- You want to do more than that. + +What's that supposed to mean? + +It means you're always getting in trouble +over a female, Brian. + +BRIAN: Man, Tej's garage is ridiculous. +He's got the best of everything. + +Snap-on tools. All these lifts are brand new. +They're only maybe a couple of months old. + +- Hey, yo, Jimmy. What's up, man? +- JIMMY: Hey, what up, Bullitt? + +That's Rome right there. Do me a favor. + +When you get a second, I want you +to check out the Evo and Spyder. + +Make sure everything's copasetic. + +Evo? Where'd you get an Evo from? + +- It's a long story. +- I got you, man. + +- Thanks, Jimmy. +- Come check this out. + +Man, it's so hot and humid, +I can't even wear drawers. + +Man, tell me about it. + +Look at all this potential out here. + +Ray, don't do that, man. +You're making me lose money. + +Come on, stop that. +I know you're better than that. Come on. + +Damn. + +(CROWD CHEERING) + +(RAP MUSIC PLAYING) + +Girl, you know your boy can help you +put that fire out! Look at the bubble on that. + +- Let's go. +- ROME: That's serious. + +TEJ: Come on, Ray, +you're making me lose money. + +Don't do that. Don't do that to me right now. + +Come on, Ray. Do it. + +Tej Parker? This is Roman Pearce. + +Basically, he's the man to know in Miami. +He's got his finger in absolutely everything. + +- It's just the way it is. +- Come home to daddy. Come on now. + +- What's going on, Suki? +- What's up, baby? + +- How you doing? +- I'm good. How you doing? + +What's this? What's the latest? + +It's a work in progress. It's not finished yet. + +That's some artistic shit. +You got talent, girl. + +Ray, it's do or die right now! +Bring it home, Ray! Bring it home, Ray! + +Yeah, baby! + +Pay up! Pay up! Pay up! + +Pay up, everybody. + +That's how they do it out here, man? + +- Every day. +- That's crazy. + +Right here. Right now. +What's up, man? You don't look too happy. + +Expeditiously, man. I need it quick. +What's up? Thank you. Thank you. + +How you feeling, man? You all right? +Thank you. + +Not too bad. + +I see you're about your money, homey. +You race, too? + +No, man. I hit a wall doing +like a buck 20 a couple years ago. + +Ever since then, I've just been +organizing and collecting, man. + +Hey, Tej, check it out. +He's gonna be in town for a while. + +Is there any way he could use that cot? + +- What's wrong with your place, man? +- No. + +I don't want to stay with him. +He got bad habits. + +All right, man, whatever. Show him around. +I'll be up there in a minute. + +- Thanks. +- Sure. + +All right, who wants a chance +to win their money back? + +So, Jimmy? So, what's up, +you ever seen anything like this before? + +No. Both of them +are wired like I never seen before. + +What? + +Yeah, man, they got us wired with GPS. + +That's why Markham knew +we were gonna be at that impound lot. + +Yo, you the master mechanic. +Why don't you just yank that shit out? + +I'll try, but this ain't LoJack. + +The DIS box, the engine management +system, hell, the main harness, + +the GPS is spidered into all of that. + +Hey, tell me something, man. + +Do I even want to know +where the Skyline is, dawg? + +Or where you've been +the past couple of days + +or where the hell you got these rides from? + +- They're hot. +- Yeah, they hot. + +They wired so hot that +whoever's tracking these things + +would know every time +you don't wear your seat belt. + +All right, Jimmy. + +- Just do what you can do, bro. +- I got you. + +Thanks, man. + +Man, we need to get these +on the street ASAP. + +Hey, bro, check it out. + +See that Cadillac across the street +over there? + +Yeah. + +Yeah, well, they've been on us +ever since we left Verone's house. + +(SPEAKING SPANISH) + +Elian and Fidel! + +Hey, man, +can I clean your windshield, buddy? + +What are you doing, man? + +(SPEAKING SPANISH) + +ROME: Is everything copastetic, homey? + +(SPEAKING SPANISH) + +Kiss my ass. + +Shit. + +ROME: Let's go! Let's go! Let's go! + +(CURSING IN SPANISH) + +He's gonna blow our cover +before we even get started. + +- Bilkins, tell me what went wrong? +- That's what I want to know. + +Show me your hands. +Come on, keep them up! + +- What's this about, man? +- What's going on? + +Hold this. You think you can shoot at me? +I'm a goddamn federal agent. + +What are you talking about? + +Get your damn hands off me! +Get him away from me, dawg! + +Just 'cause you wear a badge doesn't mean +you can mess shit up for us, homeboy! + +Get your hands off me! + +- You're lucky I didn't shoot you! +- Shut up! + +Don't tell me to shut up, Brian! + +- You almost blew our cover, old man! +- MARKHAM: I'm right here. + +You shouldn't have shown up like you did. + +You didn't know Verone was testing us? + +- No, I thought you punks were running! +- Running? + +That's great. That's real great! + +And if Rome wanted to shoot you? +You wouldn't be here right now. + +All right, we got to get this under control. + +That's mine! + +So? + +- Tell me what you know. +- Rome and I will be making a run for Verone. + +I'm not sure when or where, + +but he did say that he bought us a window, +I'm assuming from the local cops. + +I can talk to some of the guys +at the local P.D. + +No. No good. If Verone's got some of them +on the payroll, + +then we can't let them know our operation. + +Exactly. + +In addition, Verone told us that +he himself would be waiting at the drop. + +That's good news. + +If you're gonna be delivering drug money +to him, then we can get him for laundering. + +- Now, there's only one problem. +- What's that? + +Fuentes. + +- Verone's tapping her. +- Tapping her? + +- Tapping her how? +- That is crap. + +Now what you talking about, homeboy? +We know what we seen. + +So what do you think, O'Conner? You think +she's compromised? You should know. + +- What's that supposed to mean? +- Your old pal O'Conner didn't tell you? + +He flipped on Bilkins in L.A. + +He gave his mark his car keys +and let him disappear. + +That's why he's not a cop anymore. + +So what do you think, expert? + +Man, I don't know. + +All right. We'll keep an eye on her. + +We're out of here. + +Let your man go? + +Drop it. I don't wanna talk about it. + +Drop it, hell. +I want to hear about this, homey. + +I said, forget about it, cuz. + +We got Fuentes in with Verone, + +Markham trying to blow our cover, + +and we got two wired cars that are no better +than that damn ankle bracelet of mine. + +I'm gonna tell you, bruh, you let Markham +do that shit again in front of Verone, + +that's gonna be our ass! + +I know, man. I know. +It's just getting thick real quick. + +We may need a way out, we got to come up +with some kind of an exit strategy. + +- Exit strategy? +- Yeah. + +I like the way that sounds. +What you got in mind? + +I don't know, man. +But we need two more cars. + +Yeah. Here they come. + +Fonzie and Fabio. Glad you can join us. + +We heard you boys wanted to get rid +of those Cracker Jack toys. + +No, actually we just figured +those cars you got + +deserve better drivers, which is why +we're gonna take them off your hands. + +You know, why don't we settle this now? + +Wait, wait, wait. How about we settle +this on the blacktop? + +Each car does a down-and-back, +tag-team style. For slips. + +Loser walks home. + +- We came to race. +- Load them up then. + +Come on, bro, let's get these cars. + +All right, check it out. There's no way +we're gonna beat these guys straight up. + +That Hemi's putting out about 425 + +and that Yenko will snap +a speedo in about five seconds flat. + +We're gonna have to pull something +out of our ass. + +The only thing I can think of is save +the spray for the way back. + +The return trip. + +- Done deal. +- All right, let's do this, bro. + +I'm getting that orange one. + +(ROME LAUGHS) + +You ain't ready, Fabio! + +TEJ: All right. + +You each got a barrel to go around +down at the end of the road here. + +Second wave's got to sit tight till +your partner crosses this line right here. + +First team to go down and back twice +wins the race. + +At which point, + +the losers will hand over them keys. + +Otherwise you'll be eating breakfast +through straws from now on. + +(SPEAKING SPANISH) + +I get it. + +This means you, too. + +I got it. + +All right. Let's race. + +(ENGINES REVVING) + +Come on, baby, you got this, Rome! +This dude ain't serious. + +Yeah, you gone, homey. +I got this. This is done. + +You about to lose your car. + +- Do it, Rome! +- Come on, bitch, you got it, man. + +You think I'm worried about this fool, man? +This is nothing! + +(ENGINE REVVING) + +(ENGINE ROARING) + +- Oh, no. +- American muscle. + +Your engine ain't as big as your mouth. + +Got to smoke him. +Got to smoke him, got to smoke him. + +All right, here we go! + +- It's all right, baby, I'm gonna handle this. +- Handle it. + +Ready, and go! + +(TIRES SCREECHING) + +You ain't ready! I run these streets! + +(WHOOPING) + +Romey Rome! You ain't heard of me? + +Oh, shit. + +(CHEERING) + +I'm gonna get you. I'm gonna get you. + +Where's your big mouth now? + +That car's going home with me, homey. + +(NITROUS OXIDE HISSES) + +Shit. Eat this, sucker! + +Shit! + +(ENGINE REVVING) + +Yeah, boy! Go, Korpi! + +Sorry, blondie, how does that dust taste? + +I don't know. + +Come on, Rome. + +What the... + +Good move, kid. +Let's see if you got the balls. Come on. + +(WHOOPING) + +Come on, Brian, bring it home, man! + +We got two new cars! + +Damn! + +Y'all ain't ready, homeboy! +Get to walking, Fabio! + +ROME: Use them bus tokens, partner! + +- BRIAN: Hey, how you doing? +- Good. What's your name? + +We're guests of Mr. Verone's. + +(RAP MUSIC PLAYING) + +It's a hoasis in here, bruh. + +Yeah, lots of potential. + +Damn. You got a pen? + +It's about to get serious, bruh. + +Look at that girl on the swing right there. + +Hey, you guys did something right. +Verone never socializes with hired help. + +Now what's that make you? + +- Where's he at? +- He's on his way. + +You and Verone +don't go everywhere together? + +- What's that supposed to mean? +- Nothing. + +- I'm gonna go take a piss. +- You go do that. + +What is his deal? + +He doesn't trust people who carry badges. + +So you talk like you know. + +I'd been a cop about two months +when Roman was busted in a garage raid. + +He had eight sets of wheels +in his possession, each one of them hot. + +So you busted him? + +No, I didn't even know it was going down. +But that doesn't really matter to him. + +Basically, once I became a cop, Roman saw +me as a friend who became the enemy. + +Is there anything I can get for you, +Mr. Verone? + +VERONE: Just tell them to come join me. + +Oh, yeah. I was admiring this. + +Damn. + +- I wasn't about to give it to you. +- Good. + +- What's up? +- He's here, man. + +Where's he at? + +He's over there. Don't look. + +Excuse me, Mr. Verone +would like for you to join him. + +Let's do it. + +See what I'm talking about? + +VERONE: It's all right, let them in. + +Go sit down, I'll talk to you in a second. + +- BRIAN: How you doing? +- Good. Enjoying your night? + +- Yeah, I'm having a good time. +- Good, good. + +She's beautiful, isn't she? + +Yeah. + +She's gorgeous. + +You got balls, kid. + +I can appreciate that. + +Women are a very powerful force. + +You see the blonde sitting +with the gentleman right here? + +Five minutes of her time, and she +can get anything she wants from him. + +I love your hair. + +Watch. + +I wonder where they're going? Sit down. + +So you lit my man's car on fire. +Is that right? + +Yeah. + +I did. + +You see, I got a problem with authority. + +I have that same problem. + +For me, it's cops in particular. + +(CHUCKLING) + +Let's take a walk. Come on. + +- We just got here. +- And now we're leaving. + +Let's go. + +Come on. + +What's all that? + +We're going to have a little fun. + +(CHAMPAGNE FIZZLING) + +(GLASS CLINKING) + +Thank you. + +- It'll be fun. Let's stay longer. +- Let's get out of here. + +Hey, Carter. + +Meet Detective Whitworth. + +One of Miami's finest. + +Thank you, sweetheart. + +You enjoying yourself, Detective? + +Yeah, I was. + +I mean, you know me. + +Yeah. + +I do know you. + +You've been on my payroll a long time. + +- Verone, that ain't right. +- Shut up. + +I've got one last job for you, Detective. +You hear me? + +- Look, we've been all through this. +- Yeah? + +Yeah, and I said I can't do it. + +That's the wrong answer. The table. + +(WHITWORTH GROANS) + +I'm a detective, Verone! + +You do anything to me, the whole +force is gonna be on your ass in a minute. + +Shut your mouth, you fat piece of shit. + +Stop right now. + +(RAT SQUEAKING) + +What the hell? What the hell is that? + +Sit down. + +You're going to regret this. Stop right now! + +Once the bucket +gets hot enough, Detective, + +the rat is gonna want out. + +And the only direction it can go, is south. + +Hold that. + +Get it off me! + +Shut up. + +Did you know that your average rat +can chew through a steel drainpipe? + +You see, you have nothing to worry about +when he's screaming, Detective. + +It's when he goes quiet +that he goes to work. + +WHITWORTH: Stop it! Stop it! Stop it! + +You can't be this stupid! Stop it now! + +You're in charge of the units +that are watching my properties. + +What I want is, I want a 15-minute window + +where everybody, and I mean everybody, +disappears. You hear me? + +- I can't do it! +- You can't? + +(WHITWORTH SOBBING) + +WHITWORTH: Stop it. + +Okay. Monica, come here. + +WHITWORTH: Help! Help! + +Shut him up. Shut him up. + +Help! + +(SQUEALING) + +(SCREAMING) + +It's biting me! + +(MUFFLED SHOUTING) + +What? + +Got something you want to say? + +It bit me. Jesus. + +- WHITWORTH: I'll do it! +- Do what? Say it. + +I'll do it. I'll give you your window. + +Just get it off me. + +Get it off! + +You betray me, + +and my rat here + +is gonna visit your wife, Lynn, + +your son, Clay, and your daughter, Lexi. + +Do you hear me? Do you understand me? + +- You hear me? +- Get it off. + +I'll burn your fucking eyes out! +I'll burn them out. + +Now, you can go. + +- Get rid of him. Let's go. +- Get it off. + +You boys enjoy the show? + +Fifteen minutes, and then every cop +in Florida's gonna be on you. + +Be at Versailles Cafe at 6:00 a.m., +day after tomorrow, ready to drive. + +- You understand? +- Yeah. + +Don't play games with me + +or you'll be next. All right? + +Help yourself to a little champagne. +Let's go. + +That was a damn rat, man. + +You ever touch another man again, +and I'll kill you. + +You hear me? + +Look at me. You hear me? + +ROME: She was into it, man. +What's that about? + +You seen the way she grabbed +the dude's head. + +She had to, man. He was testing her. + +You got to remember, +her ass is on the line, just like ours. + +You're feeling this girl way too much. + +She's like that crazy-ass trailer rat +from back in the day, Tanya. + +Tanya? Man, you went out with her +after I did. + +I mean, I couldn't let it go to waste. + +JIMMY: I got you. I got you. I got you. + +Is that right? + +We go race for cash, +but when I step on the gas, + +my nitrous go blast, +leave your ass in the past. + +Tej, you about to lose your garage. + +Whatever, man. + +I'm a low-budget mechanic, +but I overcharge. + +Pay me! Let's go, man. + +Pay me my money. I told you, man. + +I'm glad you're happy man. I'm so glad. +This is my garage, boy. + +Royal flush. Give me this, man. + +You got to talk to him, talk to him. + +Damn, you can't play and play it for long. + +Put that money back on the table. +You know it's mine next hand. + +Jimmy, how are you gonna pay me back +if you keep losing to Tej like that? + +- How you doing, bro? +- Real good. + +I'm going to crash, Tej. +I'll catch you tomorrow. + +What are you doing here? + +Brian, they're gonna kill you. +I heard him telling Enrique and Roberto. + +Once you finish the run, +they're putting a bullet in your head. + +You sure you heard him right? + +I'm sure. I'm sure. + +(KNOCK AT DOOR) + +Verone's boys is outside... + +I see what they're looking for. +Your little girlfriend here. + +- They don't know I'm here. I snuck out. +- What the hell are they doing here then? + +I don't know. Maybe they're guessing. + +Go stall them. +Go stall them for, like, two minutes. + +Check her, homey. Check her. + +Found what you're looking for? + +Hey, buddy. Hi, guys. How you doing? + +Y'all still mad about y'all car? + +Don't even trip, homey. +Come on, man, can't you take a joke? + +All right, this isn't about being a good cop +any more or doing your job. + +They're gonna kill you. +You guys gotta pull out. + +Verone pay y'all +to keep a straight face like that? + +'Cause if I was making money, shit, +I'd get that mole removed off my damn nose. + +- Okay? +- Yeah. + +How much he pay y'all anyway? + +Every time I see y'all, man, +y'all got the silk shirts on, + +jewelry, you know, looking real Miami. + +I caught you walking up in the club, +you got the hamburger meat all hanging out. + +Don't make that run, Brian. +Don't make that run. + +Be careful. + +(ROBERTO SPEAKING SPANISH) + +(SPEAKING SPANISH) + +Where are you going? +You stay right here with us, buddy. + +Don't even think about it. + +Stay your ass off my homeboy's boat. + +(ENRIQUE GROANS) + +Put the gun down! Put the gun down now! + +You first, asshole! You first! + +I'll shoot the shit out of him! +Now, put the gun down! + +(YELLING IN SPANISH) + +Put down the gun now! + +Put down the gun! + +Enough. Enough. + +Shut up. Shut up. + +It's over. Come on. + +It's over. Let's go. + +It's our gun. Come on, let's go. Let's go. + +I'm glad to see you boys +are getting along so well + +because tomorrow, Roberto and Enrique +are gonna be riding along with you. + +Just so we don't have any problems. + +I'll see you guys in a bit. + +What the hell was she doing in there, man? + +Where'd you go this morning? + +I went to breakfast with some friends. + +With friends? + +(CHUCKLES) + +I do have friends, Carter. + +(CHUCKLES) + +Okay. + +I'll see you later. + +Nice shirt, Bilkins. + +- It's my day off. +- Yeah. + +Well, anyhow, this is the deal. + +Last night, Verone threatened a cop +into giving us a window. + +We're driving to an airstrip +in the Keys, off Nallwood Avenue. + +Verone has a plane there +and he's taking off for good. + +Wait a minute. How do you know this? + +Monica. + +She's doing her job. She warned us. + +She warned you about what? + +Verone plans to kill us +after we give him the money. + +Driving into an ambush was never +part of the deal. I'm calling this off. + +Like hell you are. +This is a Customs case, Bilkins. + +No one's calling this off unless I do. + +Look, this is real simple. + +You make the run, you get Verone and his +cash together so I can move in for the bust. + +You don't, I'll file enough charges +on both of you to make you disappear. + +Take these. + +We're gonna have GPS on you the +whole time so you don't get any cute ideas. + +And to make sure +nothing happens to them, right? + +Yeah, right. + +ROME: That guy's a dick, man. + +BRIAN: Yeah. + +Let me get this right. + +If we don't do this, then we go to jail. + +But if we do it, +then Verone's going to kill us. + +- It's a hell of a deal, huh? +- Yeah. + +Maybe it is. + +I know this guy's got an ass full of loot +that he's ready to dump in our cars. + +And I can think of two reasons why +Verone doesn't need that money any more. + +Here we go. + +You and me. + +Just like the old days. + +What do you think? + +I think they messed with +the wrong two guys, that's what I think. + +- Yo, Tej, what's up, bro? +- What up? + +Hey, man, how quickly can you organize? + +TEJ: Look, if y'all really want +to carry out this plan, + +this is definitely the best place to do it. +So what do y'all think, man? + +I think it's perfect. +So, what do they store here? + +Man, this thing is clean. + +Distributor cap. + +Jimmy, do we have any half-empty +bottles of nitrous lying around? + +Sure, but I've already loaded you for spray. + +No, I'm thinking we may need it +for something else + +'cause our cars may get +a little crowded, you know? + +Man, when did you start eating so much? + +I was in jail, bruh. + +I know how shitty the grub is on the inside. + +With the way things are shaping up +out here right now, + +it'll be a matter of time +before I'm back in there, or dead. + +So I'm trying to eat all I can while I can. + +Plus, the doctor tells me +I got a high metabolism. + +Man, you remember us growing up? + +You know, playing football in the dirt? + +You know, getting into trouble. +All the stupid things we did? + +When you got busted, you know, +whether I was a cop or not, + +you know, if there was anything +I could have done, + +you know, I would have done it. + +I just want you to know that. + +Is that why you let that dude go in L.A.? + +Yeah, I think that had a lot to do with it. + +When I got busted + +it wasn't your fault. + +It was all on me, Mr. Roman Pearce. + +Wild and out. Crazy man. + +No one could tell me nothing. + +Riding solo. + +Yeah, well, not anymore. + +Not anymore, bro. + +I've got Verone's Navigator +leaving the residence. + +Copy. + +Sir, we've got Verone on the move +to the airstrip. + +Good. Let's get a bird in the air. +Tell him to keep his distance. + +AGENT 1: Ready to go. +AGENT 2: Thanks. + +(INDISTINCT CHATTERING) + +- You're all set. +- Thanks. + +- All set? +- Yeah. Let's do it. + +Report. + +What's going on out there? + +Team One, checking in. + +- Team Two, checking in. +- Team Three, checking in. + +AGENT: Team Four, all clear here, too. + +AGENT 1: Team Five, checking in. + +AGENT 3: Team Six, all clear. + +ROME: Here we go. +BRIAN: Yeah, so you know what to do. + +BRIAN: Stay cool. Keep focused. + +Remember the airstrip's +off Nallwood Avenue. + +It's the third exit after the bridge. + +Got it. + +So, what up, man, you ready for this? + +Come on, man. +Guns, murderers, and crooked cops? + +I was made for this, bruh! + +ROBERTO: Come on. + +(TAPPING ON DOOR) + +(SPEAKING SPANISH) + +I got activity at Verone's trailer property. + +Do not move an inch until I tell you to! + +(SPEAKING SPANISH) + +Load up. + +All units, + +move on the trailer property. +Right now! Move! + +(POLICE SIRENS WAILING) + +Shit. Local P.D. is moving in on our guys. + +- Three bags in one car? +- Guess so. + +(POLICE SIRENS WAILING) + +(HELICOPTER APPROACHING) + +The cops. + +I'm not going back to jail. + +Where are you going, man? +Let's go! Let's go! + +What is he doing? + +Okay, now let's get the chopper over them. +I want eyes right on top. + +You got it. + +Lima 2-5, + +follow GPS. + +Do you know what you're doing, man? + +Stay with me, Rome. Stay with me. +Come on, man. + +FEMALE PILOT: I've got them +heading south on I-95. + +Bring in the aerial ESDs. + +(SIRENS WAILING) + +Oh, shit! + +- They're catching up, man! +- Shut up, man! + +(TIRES SCREECHING) + +Nice driving, Rome, nice driving. + +I got you, Brian. + +Check it out! + +What was that? + +(TIRES SCREECHING) + +Oh, shit! + +- Come on, man. Take the wheel. +- No, no, no, no. I can't drive. + +- Just hold the wheel! Put your hands on it. +- I can't drive! + +Just hold it steady. Just like that. + +What are you doing, man? + +(SPEAKING SPANISH) + +(GRUNTING) + +(TIRES SCREECHING) + +(YELLING IN SPANISH) + +Yeah, man! + +Hold. + +Bilkins, the bird's in place. + +Yeah. + +We've got Verone's Navigator. + +All right. Money's in transit. Sit tight. + +You're a good driver, man. + +Thanks, bro. + +We've got the area blocked ahead. +They've got nowhere to go. + +What was that? + +MALE PILOT: I've got a visual. + +Video should be coming through. + +I got it. Looks good. + +Where are they going? + +Shit. + +All right, Miami's finest, +let's see what you got. + +Come on. Stay with me, boys. + +Hey, man, everyone's here. +Time for the show. + +Let's give it to them. + +All right, let the party begin. Let's go! + +This is unit 25-99. +We have the suspects surrounded. + +(INDISTINCT CHATTERING ON POLICE RADIO) + +(ENGINES REVVING) + +(WHOOPING) + +(MAN YELLING IN SPANISH) + +Holy shit! + +It's a scramble, baby! A big one! + +Yeah! Let's do this! + +Check this out. + +We're not tracking them on video. + +We must have lost them in the scramble. + +Yo, let's break. + +Yeah! + +(YELLING IN SPANISH) + +All right, we got them going west on Beach. + +Roger that! I've got them! + +Customs has a fix on two cars +going west on Beach. + +OFFICER: Roger. Follow those cars. + +Roger that. + +Shit. + +They're cornered. + +OFFICER: Keep your hands +where I can see them! + +Hands up! + +Whoa, fellas, fellas, I know my tags +are out of date, but damn. + +What the hell? + +Where are they? + +(WHOOPING) + +(SPEAKING SPANISH) + +How about them apples, man? + +Yeah! That's some driving +for your ass, baby! + +Ain't that some driving for your ass? + +Good job, man. + +- What are you talking about, man? +- Whatever, man. + +You're supposed to be a stone-faced killer! + +You over there were grabbing your seat belt! + +Hey, Tej, thanks a lot, bro. +Man, you're clutch. I owe you one big time. + +Yeah, Brian, you really do owe me, man. +You really do... + +Us. + +Suki says you owe us, all right? + +- Yo, Rome, you there, man? Come in. +- What's up, man? + +It looks like we got just one more trick left. + +My pleasure, buddy! Let's do it, baby! + +Maybe we should grab Verone +while we still can. + +No! Not yet! + +What? + +You lost them? + +Shit! + +Those little pricks are running! + +It's your call. What do you want to do? + +We're gonna take him down. +He is not leaving here. + +Enjoying the ride? + +Man, it's a fast car, huh? + +It's a classic. Old school. + +American muscle. + +Man, this car can do all kinds of things. +Want to see? + +(ROME LAUGHING) + +Check this out right here, homey. + +Hey, what are you doing, man? + +(ROBERTO GROANING) + +(NITROUS OXIDE HISSING) + +(WHOOPING) + +(YELLING) + +Ejecto seato, cuz! + +It worked! I love this button! + +ROME: Stay on your toes! + +Mr. O'Conner, it worked, baby! +Blow and go. I'm all clear. + +Meet me at the point! +Hurry up, man! It's on, baby! + +All right. 10-4, man. + +Are you ready? Let's go! + +Let me see your hands! +Let me see your hands! + +AGENT: Freeze! + +Clear! + +(AGENTS CHATTERING) + +MARKHAM: It's not Verone and Fuentes. + +What do you mean, +not Verone and Fuentes? + +Then where the hell are they? + +Get off at Tarpon Point. + +Tarpon Point? +There's no airstrip at Tarpon Point. + +Who said anything about an airstrip? + +Brian? + +Brian, man, what's the hold-up, bro? + +- Yo, bro. There's a new plan. +- What the hell? + +We're meeting him at the Tarpon Point exit, +not the airstrip. + +- So, what are you saying? +- Like I said, there's a new plan. + +Brian? + +Brian? Hello, you there? + +Damn! + +- Yo, what the hell is he doing? +- The feds are in the wrong place. + +Brian's woman is on her own with Verone. + +So... + +So Brian's not coming! + +- It's all right, let him out. +- Get out. + +Pop the trunk. + +(SPEAKING SPANISH) + +Hurry up. + +Where's the rest of it? + +- The other car. +- Another car? + +- Where's the other car? +- On its way. + +- On the way? +- Yeah. + +Here's your money. + +So you know nothing about the agents +that stormed my jet? + +The funny thing is, +I only told one person about the airstrip. + +Customs agents sure +are getting pretty, aren't they? + +Put her on the boat. + +- Let's go. +- Get on the boat. + +Hide the cars and get rid of him. + +ENRIQUE: Back in the car. + +End of the road. + +You know, I like you. + +But I still got to kill you. It's my job. + +(CLICKING) + +What's that? + +ROME: It's Barstow, baby! + +It's about to get ugly! + +(BOTH GRUNTING) + +Let's go. Let's go. + +(GRUNTING) + +(SCREAMING) + +(GROANING) + +Come on. + +You had me. + +You slipped. + +Eleven and a half months, +and you slipped once. + +Put her downstairs. + +See you in a second. + +I thought you was dead, man. + +Yeah, me, too. +Thanks for saving my ass, bro. + +What are you doing, Brian? + +I don't know, but if Verone sees +a helicopter or Customs boat, she's dead! + +ROME: Boat. + +Car. Boat. + +You're not gonna do +what I think you're gonna do? + +- Yeah, I think so. You got my back, bro? +- Yeah. + +All right, put on the seat belt. + +Show him some Dukes of Hazzard shit! + +We're gonna do this big! +Hold on, Rome! Hold on! + +(ROME SCREAMING) + +Brian, you're crazy, man! + +What the hell are you doing? + +(SCREAMING) + +(SCREAMING) + +(GROANING) + +I think I broke my arm, man. + +(FOOTSTEPS APPROACHING) + +(GUN COCKING) + +Get the gun. + +(GROANS) + +It's over, Carter. + +You okay? + +Yeah! + +I'm great. + +We got him, man. + +We got him. Let's get out of here. + +That ought to do it. + +So, there were three bags total? +The three from the boat? + +So we're good, right? + +Our records are clean? + +You held up your end. + +Your records are clean. + +So maybe there were six bags. + +I guess we can call it even. + +- Agent Dunn? +- Sir. + +We found some more evidence. + +Come on, let's take it to the truck. + +Don't drop the soap, big homey. + +I hope you know that when he gets out, +he's going to kill your ass. + +He ain't getting out. + +I'll see you soon. + +- You think he's going to get out? +- He'll be out. + +Not for real. +You think he's getting out, dawg? + +We took care of your decoys. +They're free and clear. + +There's a sedan out on the road for you. + +Try to bring it back in one piece. + +Thanks a lot, Bilkins. You're all right. + +- Thanks. +- Thanks for looking out, man. + +Do you trust me now? + +You're all right. + +(GROANS) + +Sorry. + +Nice working with you, O'Conner. + +Same here. + +I might have to stay here in Miami, +and keep you out of trouble, bruh. + +You know what I'm talking about. + +You're going to kick it in Miami, bro? + +Oh, man, I love Miami. Miami is off the hook! + +Open a garage together. + +A garage? +How are we going to do that, bruh? + +Pockets ain't empty, cuz. + +And we ain't hungry no more either, right? + +(RAP THEME SONG PLAYING) + +`).then(e => console.log(`Código finalizado, ${e} mensagens enviadas`)).catch(console.error) diff --git a/beeMovieSendScript.js b/beeMovieSendScript.js index c39173e..35e2718 100644 --- a/beeMovieSendScript.js +++ b/beeMovieSendScript.js @@ -13,7 +13,7 @@ async function enviarScript(scriptText){ textarea.dispatchEvent(new Event('change', {bubbles: true})); setTimeout(() => { - (main.querySelector(`[data-testid="send"]`) || main.querySelector(`[data-icon="send"]`)).click(); + (main.querySelector(`[data-testid="send"]`) || main.querySelector(`[data-icon="wds-ic-send-filled"]`)).click(); }, 100); if(lines.indexOf(line) !== lines.length - 1) await new Promise(resolve => setTimeout(resolve, 250)); diff --git a/shrekSendScript.js b/shrekSendScript.js index ff005de..3e45c5e 100644 --- a/shrekSendScript.js +++ b/shrekSendScript.js @@ -13,7 +13,7 @@ async function enviarScript(scriptText){ textarea.dispatchEvent(new Event('change', {bubbles: true})); setTimeout(() => { - (main.querySelector(`[data-testid="send"]`) || main.querySelector(`[data-icon="send"]`)).click(); + (main.querySelector(`[data-testid="send"]`) || main.querySelector(`[data-icon="wds-ic-send-filled"]`)).click(); }, 100); if(lines.indexOf(line) !== lines.length - 1) await new Promise(resolve => setTimeout(resolve, 250));